超星中国画学·中国人物画的春秋与写照课后答案(学习通2023课后作业答案)
超星中国画学·中国人物画的春秋与写照课后答案(学习通2023课后作业答案)
第二章单元测验 Chapter 2 Module Tests
1、超星春秋吴道子被称为 Wu Daozi is 中国中国known as a
A、剑客swordsman
B、画学画的后作画匠artisan-painter
C、人物画圣Painter Saint
D、写照学习诗仙Immortal Poet
2、课后吴道子是答案 朝人 Wu Daozi lived in the dynasty
A、唐Tang
B、通课汉Han
C、业答宋Song
D、超星春秋明Ming
3、中国中国吴道子的画学画的后作画风被后人称为“ ” Wu Daozi's style is named by later generations as " "
A、白描plain drawing
B、人物吴家样Wu's pattern
C、写照学习水墨ink wash
D、课后线描drawing in line
4、下列属于细笔的描法为 The technique that belongs to fine drawings is
A、钉头鼠尾描nail-head and mouse-tail
B、枯柴描dry firewood line
C、橄榄描olive line
D、混描mixed and layered line
5、顾恺之的《女史箴图》用的描法为 The drawing technique in Gu Kaizhi's Admonition of the Imperial Instructress is
A、行云流水描scudding-cloud-and-running-water line
B、高古游丝描gossamer line
C、琴弦描zither string line
D、秃笔撅头描split brush line
6、下列画家中以白描手法著称于世的是 Which painter was known for plain drawing?
A、王维Wang Wei
B、李公麟Li Gonglin
C、马远Ma Yuan
D、梁楷Liang Kai
7、吴道子的作品设色风格被称为“吴装”，原因是 Wu Daozi's use of color is called "Wu's pattern" because
A、吴道子的线条的表现力极强，怕过多的填色反而阻碍了线条的表达 Wu Daozi's lines are so expressive that too much color filling will undermine their expressiveness.
B、吴装是吴人的装束 Wu's pattern means the clothes of the Wu people
C、吴装是吴道子比较常用的服装样式 Wu's pattern was a sartorial type that Wu Daozi often wore when he was alive.
D、吴道子的线条的表现力极强，要用非常浓郁的填色来配合画面表达 Wu Daozi's lines are so expressive that only heavy use of color in filling can match the effect.
8、宋代画家 从白画的画稿中发展出素淡的白描 Which Song painter developed the simple and understated plain drawing from the sketches of white paintings?
A、李公麟Li Gonglin
B、刘松年Liu Songnian
C、梁楷Liang Kai
D、李嵩Li Song
9、下列作品中那个采用高古游丝描 Which of the following works is painted in archaic gossamer line?
A、重屏会棋图Playing Chess by Double Screens
B、历代帝王图Thirteen Emperors Scroll
C、女史箴图Admonition of the Imperial Instructress
D、后赤壁赋Ode on the Red Cliff
10、张彦远评价 的作品“六法俱全，万象必尽，像神人假手，穷极造化也” "All Six Principles have been fulfilled and myriad phenomena completely expressed. Some god must be painting through his hand, so profoundly does his work fathom the power of Creation itself." Who was thus appraised by Zhang Yanyuan?
A、阎立本Yan Liben
B、周昉Zhou Fang
C、吴道子Wu Daozi
D、孙位Sun Wei
11、北齐杨子华《北齐校书图》所采用的描法为 The drawing technique Yang Zihua of Northern Qi used in Northern Qi Scholars Collating Classic Texts is
A、高古游丝描archaic gossamer line
B、钉头鼠尾描nail-head and mouse-tail line
C、行云流水描scudding-cloud-and-running-water line
D、铁线描iron wire line
12、战笔描的运笔核心是时刻保持 The key to moving the brush to draw the tremulous line is
A、藏锋reserved brush tip
B、侧锋slanting brush
C、中锋centering brush tip
D、逆锋reversed brush tip
13、下列哪些描法是由吴道子“吴带当风”演变而来 Which of the techniques evolved from Wu Daozi's "drapery blowing in the wind"?
A、钉头鼠尾描nail-head and mouse-tail line
B、兰叶描orchid leaf line
C、高古游丝描archaic gossamer line
D、枣核描jujube pit line
14、下列哪些属于“六法” Which of the following are part of the Six Principles?
A、气韵生动breath-resonance-life-motion
B、骨法用笔bone method in the use of the brush
C、随类赋彩following kind in applying colors
D、传移模写transmitting and transferring in making copies
15、现传《道子墨宝》为 朝代的摹本，是 宗教题材壁画的画稿 In which dynasty was the copy made of the extant Ink Treasure of Wu Daozi? Which religion is the subject of the sketches of murals?
A、宋代Song dynasty
B、唐代Tang dynasty
C、佛教Buddhism
D、道教Taoism
16、毛笔锋毫结构分为 A brush consists of
A、笔尖brush tip
B、笔杆handle
C、笔肚brush belly
D、笔根brush end
17、下列作品哪些采用高古游丝描 Which of the below works use the archaic gossamer line?
A、女史箴图Admonition of the Imperial Instructress
B、洛神赋Nymph of the Luo River
C、八高僧图卷Illustrations to Events in the Lives of Eight Famous Monks
D、步辇图Emperor Taizong in a Sedan Chair Greeting Three Envoys from Tibet
18、下列作品哪些采用琴弦描 Which of the below works use the zither string line?
A、八十七神仙卷The Eighty-seven Immortals
B、后赤壁赋Ode on the Red Cliff
C、伯牙鼓琴图Bo Ya Playing the Zither for His Friend
D、五马图Five Tribute Horses
19、高古游丝描的特点有 The features of the archaic gossamer line are
A、线条纤细slenderness of line
B、循环往复circular or reciprocal motion
C、绵延不息unbroken continuity
D、变化多样variegated changes
20、吴道子的艺术身份 The artist Wu Daizi worked as a
A、画家painter
B、书法家calligrapher
C、雕塑家sculptor
D、篆刻家seal engraver
21、下列哪些作品采用“异时同图”的绘画方式？ Which of the below works use "anachronistic juxtaposition"?
A、五马图Five Tribute Horses
B、后赤壁赋Ode on the Red Cliff
C、洛神赋Nymph of the Luo River
D、步辇图Emperor Taizong in a Sedan Chair Greeting Three Envoys from Tibet
22、下列说法正确的有 The following statements are correct
A、《女史箴图》采用高古游丝描The line of Admonition of the Imperial Instructress is gossamer line
B、《女史箴图》是一幅工笔重彩作品Admonition of the Imperial Instructress is a fine outline and heavy washes of color picture
C、《女史箴图》作者是吴道子The authors of Admonition of the Imperial Instructress are Wu Daozi
D、《女史箴图》绘画的是曹植和洛神的爱情故事The Admonition of the Imperial Instructress tells the love story of Cao Zhi and Luo Shen
23、吴道子为唐代画家，被称为画圣 Wu Daozi lived in Tang dynasty and was acclaimed as Painter Saint.
24、宋代李公麟从白画的画稿中发展出素淡的白描 Li Gonglin of Song developed the simple and understated plain drawing from the sketches of white paintings.
25、铁线描线条纤细、循环往复、绵延不息，代表作北齐杨子华《北齐校书图》、唐阎立本《历代帝王图》《步辇图》 The iron wire line is slender, and moves in a circular and continuous manner, represented by Northern Qi Scholars Collating Classic Texts by Yang Zihua of Northern Qi, Thirteen Emperors Scroll and Emperor Taizong in a Sedan Chair Greeting Three Envoys from Tibet by Yan Liben of Tang.
26、战笔描代表作有周文矩《重屏会棋图》、梁楷《八高僧图卷》 The tremulous line is represented by Playing Chess by Double Screens by Zhou Wenju and Illustrations to Events in the Lives of Eight Famous Monks by Liang Kai.
27、吴道子的用笔不同于当时世俗流行的画风 Wu Daozi's brushwork did not follow the norm of his day.
28、高古游丝描又称春蚕吐丝描 Archaic gossamer line is also known as silkworm spinning threads.
29、唐阎立本《历代帝王图》《步辇图》采用行云流水描 Yan Liben of Tang used the scudding-cloud-and-running-water line in Thirteen Emperors Scrolland Emperor Taizong in a Sedan Chair Greeting Three Envoys from Tibet.
30、不同的描法适用于表达不同衣服的质感、不同人物性格身份 Different drawing techniques serve to represent different textures of clothing and personalities of the figures.
31、现传《道子墨宝》为唐代吴道子原作，本是佛教壁画的画稿 The extant Ink Treasure of Wu Daozi was an original work by Wu Daozi of Tang, and a collection of sketches for Buddhist murals.
32、传吴道子从观看公孙大娘舞剑获得线条表现的灵感 Wu Daozi drew his inspiration of line drawing from Lady Gongsun's sword dances.
33、李公麟《五马图》的描法以琴弦描为主 The principal technique used in Li Gonglin's Five Tribute Horses is zither string line.
34、高古游丝描特点线条纤细、循环往复、绵延不息 The archaic gossamer line is slender, circular and continuous.
35、谢赫六法为：气韵生动， ，应物象形，随类赋彩，经营位置，传移模写 Xie He's Six Principles are: breath-resonance-life-motion, , responding to things by the representation of form, following kind in applying colors, plotting and planning position and place and transmitting and transferring in making copies.
36、吴道子画风被称为 Wu Daozi's style of painting is called
37、评价吴道子“六法俱全，万象必尽，像神人假手，穷极造化也” According to , in Wu Daozi's works, "all Six Principles have been fulfilled and myriad phenomena completely expressed. Some god must be painting through his hand, so profoundly does his work fathom the power of Creation itself."
38、细笔描法有高古游丝、琴弦描、铁线描、行云流水描、 、曹衣描等 Fine line techniques include archaic gossamer line, zither string line, iron wire line, , tremulous line and clinging clothing line, etc.
39、《道子墨宝》所用白描描法 、 Works in Ink Treasure of Wu Daozi were executed in
第三章 “诗画意象”----诗仙与画疯子 "Poetry and Painting" ---- “Fairy” poet and “crazy” painter
第三章单元测验Chapter 3 Module Tests
1、《太白行吟图》作者为 Who painted The Poet Li Bai Walking and Chanting a Poem?
A、梁楷Liang Kai
B、马远Ma Yuan
C、马和之Ma Hezhi
D、颜辉Yan Hui
2、梁楷是 朝人 Liang Kai lived in the dynasty
A、北宋Northern Song
B、南宋Southern Song
C、元Yuan
D、唐Tang
3、南宋画家马和之擅长 The Southern Song painter Ma Hexhi excelled in drawing
A、铁线描iron wire line
B、战笔描tremulous line
C、蚂蝗描leech line
D、钉头鼠尾描nail-head and mouse-tail line
4、二祖调心图是石恪的作品，他用的是什么描法 What technique did Shi Ke use in Two Patriarchs Harmonizing Their Minds?
A、兰叶描orchid leaf line
B、折芦描folded rush leaf line
C、枣核描jujube pit line
D、混描mixed and layered line
5、古人将传统人物白描被分为几种样式 How many types did the ancients identify in traditional plain drawing figure paintings?
A、十一种eleven
B、十八种eighteen
C、三种three
D、八种eight
6、下列属于粗笔的描法为 Which of the following is a thick line technique?
A、行云流水描scudding-cloud-and-running-water line
B、铁线描iron wire line
C、琴弦描zither string line
D、秃笔撅头描split brush line
7、梁楷晚期的粗笔代表作品是The representative work of thick line drawing in Liang Kai's late years is
A、黄庭经图Yellow Court Classic
B、八高僧图Illustrations to Events in the Lives of Eight Famous Monks
C、太白行吟图The Poet Li Bai Walking and Chanting a Poem
D、二祖调心图Two Patriarchs Harmonizing Their Minds
8、折芦描是 Folded rush leaf line is
A、用于描绘芦叶的样子used to portray the rush leaves
B、用折断的芦叶作为画笔used as the brush when broken
C、是借用花鸟画的笔法来用于人物画used as a flower-and-bird brushwork in figure painting
D、是一种人物描法，起笔按压行笔，收尾时提笔，像风中翻折的芦叶，常被用于宽大的衣袍a figure drawing technique which involves pressing down the brush in the beginning and lifting it at the end to produce strokes like rush leaves folded in the wind, which are often used to render loose clothes.
9、梁楷《六祖撕经图》采用哪种描法 Liang Kai's The Sixth Patriarch Tearing up a Sutra employs
A、竹叶描bamboo leaf line
B、折芦描folded rush leaf line
C、混描mixed and layered line
D、枯柴描dry firewood line
10、李唐采薇图采用哪种构图方式 Li Tang's Gathering Wild Herbs uses which of the following compositional types?
A、鸟瞰式bird's eye view
B、异时同构anachronistic juxtaposition
C、移步换景shifting point of focus
D、平面式two-dimensional
11、梁楷师承哪位画家 Liang Kai was a disciple to
A、李嵩Li Song
B、李公麟Li Gonglin
C、周文矩Zhou Wenju
D、吴道子Wu Daozi
12、李唐采薇图采用哪种描法 Li Tang's Gathering Wild Herbs uses which of the following techniques?
A、折芦描folded rush leaf line
B、柳叶描willow-leaf-shaped stroke
C、枯柴描dry firewood line
D、混描mixed and layered line
13、秃笔撅头描多出现于山水，代表画家有 和 Split brush line is most commonly used in landscape painting, with representative painters and
A、董源Dong Yuan
B、马远Ma Yuan
C、夏圭Xia Gui
D、巨然Juran
14、梁楷早期作品有 Liang Kai's early works include:
A、李白行吟图The Poet Li Bai Walking and Chanting a Poem
B、八高僧图卷Illustrations to Events in the Lives of Eight Famous Monks
C、泼墨仙人图Immortal in Splashed Ink
D、释迦出山图Sakyamuni Leaving His Mountain Retreat
15、下列描法中不属于粗笔的是 Among the following drawing techniques, that which do not belong to thick lines are
A、铁线描iron wire line
B、折芦描folded rush leaf line
C、混描mixed and layered line
D、钉头鼠尾描nail-head and mouse-tail line
16、下列作品哪些采用混描 Which of the works below use mixed and layered line?
A、梁楷《二祖调心图》Liang Kai's Two Patriarchs Harmonizing Their Minds
B、石恪《二祖调心图》Shi Ke's Two Patriarchs Harmonizing Their Minds
C、梁楷《泼墨仙人图》Liang Kai's Immortal in Splashed Ink
D、梁楷《布袋和尚》Liang Kai's Monk Budai
17、下列哪些被后人称为禅宗画家 Which of the below artists are classified as Chan painters?
A、牧溪Muxi
B、梁楷Liang Kai
C、马远Ma Yuan
D、李公麟Li Gonglin
18、简笔描特点有 Features of abbreviated drawing include
A、删繁就简paring down to the essentials
B、豪迈豁达valor and generosity
C、用笔简易simple brushwork
D、精工细致delicate execution
19、以下是马和之作品的有 Which of the below are Ma Hezhi's works?
A、唐风图Odes of Tang
B、千里江山图Thousand Li of Rivers and Mountains
C、富春山居图Dwelling in the Fuchun Mountains
D、月色秋声Bright Moon amid Sounds of Autumn
20、下面不属于减笔描的有 Which of the below do not employ abbreviated brushwork?
A、砍竹图The Sixth Patriarch Chopping Bamboo at the Moment of Enlightenment
B、月色秋声Bright Moon amid Sounds of Autumn
C、泼墨仙人图Immortal in Splashed Ink
D、八高僧图卷Illustrations to Events in the Lives of Eight Famous Monks
21、下列描述符合竹叶描特点有 Which of the following are features of the bamboo leaf line?
A、用笔横卧如竹叶horizontal brushwork reminiscent of a bamboo leaf
B、形似“个”“介”shaped like the Chinese characters " 个 " and " 介 "
C、线条绵延不断continuous line
D、提按变化明显obvious changes in pressing down and lifting the brush
22、橄榄描的特点有Features of the olive line include
A、形似橄榄olive-shaped
B、头尾尖细tapering and pointed at both ends
C、中间粗如腰腹swollen in the middle
D、适用于描绘破旧的衣服suitable for depicting tattered and worn clothes
23、下列不属于枣核描特点的有 Which of the below are not features of the jujube pit line?
A、小笔挥洒tiny strokes
B、中间转折顿挫浑圆pauses and roundedness in turning points
C、用笔露锋exposed tip
D、多用来表现麻布材质服饰commonly used to portray clothes of the hemp texture
24、蚂蝗描和兰叶描的共同特点有 Both the leech line and the orchid leaf line are characterized by
A、灵活扭曲flexible twisting
B、翻卷舒展curling and unfolding
C、变化细微subtle changes
D、运笔迅速quick movement of brush
25、蚂蝗描由兰叶描而来 The leech line evolved from the orchid leaf line.
26、古人画罗汉或古僧多用枣核描 Most ancient paintings of luohans and monks were drawn in the jujube pit line.
27、梁楷是民间画师 Liang Kai mainly painted for the common people.
28、粗笔描有折芦描、混描、兰叶描、枣核描、竹叶描等 folded rush leaf line, mixed and layered line, orchid leaf line, jujube pit line and bamboo leaf line, etc.
29、真正让指墨画绽放光彩是清代高其佩 Finger painting really flourished in the hands of Gao Qipei of the Qing dynasty.
30、梁楷《六祖撕经图》采用折芦描 Liang Kai's The Sixth Patriarch Tearing up a Sutra employs the folded rush leaf line.
31、潘天寿也作指墨画 Pan Tianshou also practiced finger painting.
32、羊毫前段半透明的毛被称为“引” The translucent part at the end of sheep’s hair is called "lead".
33、秃笔撅头描多出现于山水，代表作有马远《人物山水册页》 Split brush line is most common in landscape paintings, represented by Ma Yuan's Album of Figure and Landscape Paintings.
34、马和之《唐风图》《月色秋色》采用蚂蝗描 Ma Hezhi adopted leech line in Odes of Tang and Bright Moon amid Sounds of Autumn.
35、梁楷早期作品《八高僧图卷》《释迦出山图》《泼墨仙人图》 Liang Kai's early works include Illustrations to Events in the Lives of Eight Famous Monks,Sakyamuni Leaving His Mountain Retreat and Immortal in Splashed Ink.
36、梁楷被后人称为禅宗画家 Liang Kai is considered as a Chan painter by later generations.
37、粗笔描有 、混描、 、枣核描、竹叶描 Thick line techniques include folded , mixed and layered line, , jujube pit line and bamboo leaf line.
38、主要采用蚂蝗描这一绘画手法 mainly used the technique of leech line.
39、石恪《二祖调心图》采用 线描 Shi Ke's Two Patriarchs Harmonizing Their Minds was drawn in line.
40、亦称韭菜描 line is also called leek line.
41、罗聘《金农像轴》采用 线描 Luo Pin's Portrait of Jin Nong was drawn in line
第四章 “人间写照”----写实的工笔表现 "Reflection of the Human World" ---- realistic reflection
第四章单元测验 Chapter 4 Module Tests
1、李嵩是 朝人 Li Song lived in dynasty.
A、汉Han
B、唐Tang
C、宋Song
D、元Yuan
2、下列不属于风俗画的作品是 Which of the following is not a genre picture?
A、历代帝王图Thirteen Emperors Scroll
B、清明上河图 Along the River During the Qingming Festival
C、婴戏图Children Playing in the Palace Garden
D、货郎图Knickknack Peddler
3、被称为三朝画师的画家是 The painter called "Painter Who Had Served for Three Reigns" was
A、李唐 Li Tang
B、李嵩Li Song
C、梁楷Liang Kai
D、李公麟Li Gonglin
4、采薇图的作者是 Gathering Wild Herbs was painted by
A、李唐Li Tang
B、李嵩Li Song
C、顾恺之Gu Kaizhi
D、阎立本Yan Liben
5、骷髅幻戏图是 The Skeleton Puppet Master is
A、李嵩所作的一件科幻作品a sci-fi work by Li Song
B、李嵩所作的一件风俗画作品a genre picture by Li Song
C、李嵩所作的一件戏剧作品a drama by Li Song
D、李嵩所作的一件探索人体骨骼的作品an exploration of human skeleton by Li Song
6、下列作品中不属于同一类的作品是 Which painting is in a different category from the rest?
A、簪花仕女图Palace Ladies Wearing Floral Headdresses
B、韩熙载夜宴图The Night Revels of Han Xizai
C、挥扇仕女图Ladies with Fans
D、后赤壁赋图Ode on the Red Cliff
7、《后赤壁赋图》是乔仲常作画的人物画长卷，其采用的构图方式为 Ode on the Red Cliff is a long figure painting scroll by Qiao Zhongchang. Its compositional type is
A、鸟瞰式bird's eye view
B、异时同图anachronistic juxtaposition
C、移步换景shifting point of focus
D、平面式two-dimensional
8、以下描述李嵩的身份最贴切的是 Which of the following best describes Li Song's identity?
A、民间画师non-official painter
B、民间木匠non-official carpenter
C、宫廷画师palace painter
D、宫廷木匠palace carpenter
9、韩熙载夜宴图的画面特点是 The Night Revels of Han Xizai is rendered in
A、工笔重彩fine outline and heavy washes of color
B、工笔淡彩fine outline and light washes of color
C、写意水墨expressive big strokes and ink wash
D、写意淡彩expressive big strokes and light washes of color
10、《清明上河图》描绘了哪里的风光和繁华的景象 Along the River During the Qingming Festival portrays the bustling street scene on the bank of
A、淮河Huai River
B、汴河Bian River
C、黄河Yellow River
D、海河Hai River
11、现存李嵩绘的作品题材内容有哪些 What are the subjects of extant works by Li Song?
A、花卉flowers
B、货郎knickknack peddler
C、仕女ladies
D、风俗secular life
12、下列哪些是描绘宫廷生活的作品 Which of the following represent life in the palace?
A、簪花仕女图Palace Ladies Wearing Floral Headdresses
B、挥扇仕女图Ladies with Fans
C、宫乐图A Palace Concert
D、韩熙载夜宴图The Night Revels of Han Xizai
13、下列不属于李嵩作品的有 Which of the following are not Li Song's works?
A、清明上河图Along the River During the Qingming Festival
B、货郎图Knickknack Peddler
C、宫乐图A Palace Concert
D、花篮图Flower Basket
14、《骷髅幻戏图》画面中存在多种矛盾，如 The Skeleton Puppet Master displays several pairs of antitheses, such as
A、动静motion and stillness
B、生死life and death
C、强弱strength and weakness
D、左右left and right
15、传统中国颜料可分为 Traditional Chinese pigments can be classified as
A、植物提取的水色water pigments extracted from plants
B、矿物质提取的石色rock pigments extracted from minerals
C、矿物质提取的混色mixed pigments extracted from minerals
D、人工合成色synthetic pigments
16、《簪花十年》《挥扇仕女图》《宫乐图》《韩熙载夜宴图》等描绘宫廷生活的作品的共同点有 What the palace life depicted in Palace Ladies Wearing Floral Headdresses, Ladies with Fans, A Palace Concert and The Night Revels of Han Xizai, etc. have in common are
A、背景空白blank background
B、工笔重彩fine outline and heavy washes of color
C、写实表现painting from life
D、表现宫廷妇女portraying ladies in the palace
17、下列作品中属于工笔重彩的是 Which of the following were drawn in fine outline and heavy washes of color?
A、宋徽宗《听琴图》Listening to the Sound of a Zither by Emperor Huizong of Song
B、李嵩《瑞鹤图》Auspicious Cranes by Li Song
C、张择端《清明上河图》Along the River During the Qingming Festival by Zhang Zeduan
D、顾闳中《韩熙载夜宴图》The Night Revels of Han Xizai by Gu Hongzhong
18、下列正确描述《伏生授经图》一画的有 Which of the following descriptions of Fu Sheng Transmitting the “Book of Documents”are correct?
A、背景空白blank background
B、工笔水墨fine outline and ink wash
C、工笔淡彩fine outline and light washes of color
D、采用焦点透视use of one-point perspective
19、下列描述正确的有 Which of the following statements are correct?
A、中国写实主义绘画作品以主观唯心的观察方式观察物象Chinese realist paintings feature subjective and idealist observation of the world
B、中国写实主义绘画作品都是繁琐的背景来突出人物个性Chinese realist paintings invariably use complicated and detailed background to suggest and highlight the figure's personality
C、中国写实主义绘画作品中重彩赋色时多趋向于平面Chinese realist paintings tend to use flatness when applying heavy washes of color
D、《听琴图》《文会图》属于中国写实主义绘画作品Listening to the Sound of a Zither and A Literary Gathering are Chinese realist paintings
20、《历代帝王图》的画面特点有Which of the following is one of the characteristics of the Thirteen Emperors Scroll?
A、画面用色简洁Simple coloring
B、依据人物的阶级地位高低来安排画面中人物的大小The seizes of its characters corresponding to their ranks
C、都采用工笔重彩Meticulous style and enriched colors
D、背景多采用空白处理White space in the background
21、下列是宋徽宗的作品Which of the works below is painted by Emperor Huizong of the Song dynasty?
A、听琴图Listening to the Qin
B、瑞鹤图Cranes
C、文会图Scholars’ Feast
D、韩熙载夜宴图Night Revels of Han Xizai
22、整画首尾相连，同一人物反复出现谓之“移步换景” If a scroll is end-to-end and a character appears many times, this painting technique is called “changing scenes within steps.”
23、李嵩的画作多用接近于白描的手法进行表现 Line drawing is adopted in most of Li Song’s paintings.
24、风俗画始于汉盛于唐 The Chinese genre painting started in the Han dynasty and blossomed in the Tang dynasty.
25、写实主义的作品中有相当多的一部分作品用来描绘宫廷生活 A great number of realism paintings are about court life.
26、两宋时期是我国人物画发展的全盛时期 The Chinese figure painting flowered during the Northern Song and Southern Song dynasties.
27、李嵩的货郎图采用工笔重彩的方式进行表现 Meticulous style and enriched colors are used in Li Song’s Pedder.
28、风俗画是李嵩最擅长的一类作品Li Song was best at genre painting.
29、《清明上河图》《骷髅幻戏图》是李嵩的作品 Skeleton Fantasy Show andAlong the River during the Qingming Festival are Li Song’s works.
30、除了《骷髅幻戏图》很少有中国画作品会如此写实地描绘骷髅形象 Except Skeleton Fantasy Show, Chinese realistic paintings are rarely about skeletons.
31、宋代风俗画作品多用工笔重彩的方式进行描绘 Meticulous style and enriched colors were used in most genre paintings during the Song dynasty
32、《骷髅幻戏图》采用宋画较为典型的半边式构图 Half-side composition, a typical painting method during the Song dynasty, is adopted in Skeleton Fantasy Show.
33、《韩熙载夜宴图》采用工笔淡彩进行表现 Meticulous style and light color are applied in Night Revels of Han Xizai.
34、整画首尾相连，同一人物反复出现谓之 If a painting is end-to-end and a character appears in it a few times, this painting method is called
35、《清明上河图》作者 Along the River during the Qingming Festival is painted by .
36、《瑞鹤图》作者 ，艺术风格为工笔重彩。 Meticulous style and rich color are adopted in Cranes of .
37、《清明上河图》描绘了 两岸的风光和繁华的景象 Along the River during the Qingming Festival depicts the scenery and prosperity along the .
38、乔仲常代表作 is Qiao Zhongchang’s representative work.
第五章 “飞天神韵”----天机骏利的笔墨表现力 "The Charm of Flying Apsaras"-the expressiveness of brush and ink under nature's mystery
第五章单元测验Chapter 5 Module Tests
1、敦煌石窟里的飞天图式来源于 The flying apsaras of Dunhuang Grottoes stem from:
A、罗马Rome
B、印度India
C、中国China
D、希腊Greece
2、以下哪个不是敦煌石窟中飞天的特色 Which of the following does not belong to the characteristics of flying apsaras of Dunhuang Grottoes?
A、具有毛笔的书写性Calligraphy techniques adopted
B、平面化的设色Planarization coloring
C、以线性表现为主Characterized by lines
D、注重人体结构的渲染Shaded body structure
3、以下哪一个是敦煌壁画中的飞天表现手法 Which of the following artistic method is applied in flying-apsara murals of Dunhuang Grottoes?
A、细腻的人体结构与质感Detailed body structure and texture
B、逼真的颜色Vivid color
C、用毛笔直接用颜色勾线，带有书写的用线用笔，概括地归纳处理人物形态To sketch the figures, coloring and lines are done with ink brush used for writing
D、每一个飞天都来源于真实的模特写生Each flying apsara comes from the sketch of a real person
4、以下不是敦煌石窟中飞天的设色观念 Which of the following is not the coloring principle applied to flying apsaras of Dunhuang Grottoes?
A、以心性的理念出发Painter’s mentality is the source of creation
B、注重现实光影下的呈现The light and shadow for murals in real life are significant
C、注重画面中的平面化构成Planarization is important for murals
D、设色以用笔为基础The movement of brush tip is the foundation of coloring
5、古人在描述草书里面是这样说：“字之体势，一笔而成偶有不连，而血脉不断，及其连者 气脉通于隔行”，这也可以用于中国人物画的境界，以下不正确的是 The ancients described cursive script: “Each character is completed at one stroke. The ‘spirit’ of the character is continuous though some parts are unconnected. The ‘spirit’ of those connected characters lasts throughout the entire page.” This saying can also be used to comprehend the Chinese figure painting. Which of the following comprehension is not right?
A、绘画里面我们讲的是笔断而意不断，画面中的连贯的气势Albeit the unconnected lines in painting, the “spirit” of the painting is continuous
B、线条之间的气息是循环往复不间断的The “spirit” of lines circulates and never ends
C、书法与绘画都是以用笔法为同一本源The movement of brush tip is the foundation for both calligraphy and painting
D、草书是飞天造型的基础Cursive script is the root of flying apsara
6、敦煌石窟里的飞天形象是 The image of flying apsara of Dunhuang Grottoes is
A、印度西域中原文化共同孕育而成的Bred by both the cultures of west India and the Central Plain in China
B、中国文化自生特有的一种人物样式A unique cultural image exclusively in China
C、中国画家表现女神特有的方式A particular way for Chinese painters to draw goddess
D、只有女性形象出现Flying apsaras are female
7、以下不属于飞天人物画艺术的特色是 Which of the following does not belong to the artistic characteristics of flying apsara?
A、注重气韵的表达Charm is the focus
B、注重丰富的颜色，用光影塑造体感Light, shadow and multiple colors are applied to make flying apsaras look three-dimensional
C、注重人物形象的线性抽象构成The lines making up flying apsaras are the focus
D、注重石窟整体构成设计感The overall design of the grottoes is the focus
8、敦煌壁画多用哪种颜色起稿 Which color is widely used in drafting the murals of Dunhuang Grottoes？
A、赭石土红类Ochre or soil-red
B、石青Azurite blue
C、墨Inky
D、蛤白Clam-white
9、敦煌壁画设色时对边缘线的处理方式是将其 How to deal with the frontier lines in murals of Dunhuang Grottoes during coloring?
A、覆盖Covering
B、符号化Symbolization
C、虚化Blurring
D、强化Enhancement
10、何时壁画工作中勾线和设色开始有较为明确的分工记载 When did labor division appear among mural painters responsible for outlining and coloring?
A、西魏In the Western Wei dynasty
B、隋In the Sui dynasty
C、唐In the Tang dynasty
D、宋In the Song dynasty
11、下列哪位艺术家前往敦煌进行壁画临摹，并对其后来的艺术创作产生深刻影响 Which painter went to Dunhuang to imitate the murals there, which exerted great influence upon his art creation?
A、张大千Zhang Daqian
B、齐白石Qi Baishi
C、黄宾虹Huang Binhong
D、潘天寿Pan Tianshou
12、中国传统高染法何时进入画家们的视野 When did painters pay attention to traditional high coloring?
A、西魏In the Western Wei dynasty
B、五代In the Five-dynasties period
C、东晋In the Eastern Jin dynasty
D、东汉In the Eastern Han dynasty
13、下列正确描述敦煌飞天的是
A、不长翅膀
B、没有光环
C、依靠彩云飘带凌空飞翔
D、有明显地性别特征
14、下列体现画家主观用色的有
A、朱红的力士
B、石绿的马
C、绿色的树
D、红色的狮子
15、下列正确的是
A、敦煌壁画多使用赭石土红色颜料进行起稿
B、起稿线条在后续设色时会有所保留
C、起稿线不仅只是轮廓线是还是构造人物形象本身的一个基础框架
D、起稿线发展出了书写的笔意
16、下列对敦煌设色描述正确的有
A、设色更像是一种符号化的书写
B、设色与对象的图像脱离具体的现实瞬间
C、设色发展出了书写性
D、设色更关注与对象物象的本体存在
17、飞天在石窟寺的壁画中起到哪些作用
A、分割
B、填充
C、装饰
D、强化
18、从敦煌壁画中我们可以看到，用笔在绘画中主要体现在
A、布色
B、勾勒
C、构图
D、造型
19、下列对晕染描述正确的有
A、晕染物象形体的高处或凸起处
B、晕染物象形体的凹陷处
C、晕染物象的光影效果
D、晕染只染物象高处或凹处，无法同时表现
20、石窟艺术融合了多种美术形式，表现在
A、雕塑
B、绘画
C、书写
D、建筑
21、敦煌壁画画面特点有
A、有设计感
B、平面线性组合
C、布色带有书写的意味
D、调性恢弘饱满精美
22、中国画偏重于
A、写实
B、意象
C、心境
D、体积
23、下列书法家哪些为敦煌人
A、张芝
B、张昶兄弟
C、索靖
D、怀素
24、中国画设色的依据为光影下物象所显现的色彩
25、敦煌壁画多用赭石土红类颜色起稿，与西方绘画起稿方式相类似
26、敦煌壁画的艺术形象依靠模仿对象来达到逼真的效果
27、传统中国画用色不以丰富多彩见长
28、传统中国画用色多根据画家自身的内心情感与艺术格调气息
29、中国传统高染法在西魏时期进入画家们的视野
30、敦煌壁画表现空间是以一个瞬间的单一视点为依据
31、敦煌壁画中用笔只体现在线条的勾勒描绘
32、高染法主要晕染物象形体的高处或凸起处
33、敦煌壁画设色时对边缘线的处理方式是将其虚化
34、因便于修改和调整，敦煌壁画多用 颜色起稿
35、本章中提到， 是草书发源地之一
36、敦煌大体量的壁画绘制以 形式进行，其出现于 朝
37、石色是从 提取的颜色
38、敦煌石窟的飞天形象是 和 共同孕育而成
期末考试 Final Exam
中国画学·中国人物画的春秋与写照期末考试
1、下列画家中以白描手法著称于世的是
A、李公麟
B、马远
C、王维
D、梁楷
2、下列作品中那个采用高古游丝描
A、历代帝王图
B、重屏会棋图
C、女史箴图
D、后赤壁赋
3、张彦远评价 的作品“六法俱全，万象必尽，像神人假手，穷极造化也”
A、阎立本
B、吴道子
C、孙位
D、周昉
4、南宋画家马和之擅长 描
A、蚂蟥描
B、混描
C、橄榄描
D、枣核描
5、梁楷晚期的粗笔代表作品是
A、黄庭经图
B、太白行吟图
C、八高僧图
D、释迦出山图
6、被称为三朝画师的画家是
A、李唐
B、阎立本
C、顾恺之
D、李嵩
7、骷髅幻戏图是
A、吴道子所作的一件探索人体骨骼的作品
B、李嵩所作的一件风俗作品
C、顾恺之所作的一件科幻作品
D、阎立本所作的一件戏剧作品
8、《后赤壁赋图是》乔仲常作画的人物画长卷，其采用的构图方式为
A、移步换景
B、鸟瞰式
C、异时同图
D、平面式
9、风俗画始于 并兴盛于
A、汉 宋
B、汉 唐
C、唐 宋
D、隋 唐
10、古人在描述草书里面是这样说：“字之体势，一笔而成偶有不连，而血脉不断，及其连者 气脉通于隔行”，这也可以用于中国人物画的境界，以下不正确的是
A、绘画里面我们讲的是笔断而意不断，画面中的连贯的气势
B、草书是飞天造型的基础
C、线条之间的气息是循环往复不间断的
D、书法与绘画都是以用笔法为同一本源
11、中国传统高染法何时进入画家们的视野
A、西汉
B、西魏
C、北周
D、北凉
12、敦煌壁画多用哪种颜色起稿
A、赭石土红类
B、石青石绿
C、白粉
D、墨
13、《清明上河图》描绘了哪里的风光和繁华的景象
A、海河
B、淮河
C、黄河
D、汴河
14、《采薇图》的作者是
A、李公麟
B、李嵩
C、李思训
D、李唐
15、罗聘《金农像轴》采用哪种描法
A、橄榄描
B、枣核描
C、蚂蟥描
D、战笔描
16、现传《道子墨宝》为 朝代的摹本，是 宗教题材壁画的画稿
A、唐 佛教
B、唐 道教
C、宋 佛教
D、宋 道教
17、下列哪些属于“六法”
A、气韵生动
B、经营位置
C、传移模写
D、骨法用笔
18、吴道子的艺术身份
A、雕塑家
B、篆刻家
C、画家
D、书法家
19、下列作品哪些采用混描
A、石恪《二祖调心图》
B、梁楷《二祖调心图》
C、梁楷《泼墨仙人图》
D、梁楷《布袋和尚》
20、橄榄描的特点有
A、形似橄榄
B、头尾尖细
C、中间粗如腰腹
D、适用于描绘破旧的衣服
21、现存李嵩绘的作品题材内容有哪些
A、花卉
B、仕女
C、货郎
D、世俗
22、下列正确描述《伏生授经图》一画的有
A、背景空白
B、工笔淡彩
C、工笔水墨
D、采用散点透视
23、下列描述正确的有
A、中国写实主义绘画作品的绘画题材甚广
B、中国写实主义绘画作品以主观唯心的观察方式观察物象
C、中国写实主义绘画作品都是空白的背景来突出人物个性
D、中国写实主义绘画作品中重彩赋色时多趋向于平面
24、下列体现画家主观用色的有
A、朱红的力士
B、绿色的树
C、黑色的水
D、石绿的马
25、飞天在石窟寺的壁画中起到哪些作用
A、强化
B、分割
C、填充
D、装饰
26、传统中国颜料可分为
A、植物提取的水色
B、矿物质提取的石色
C、植物提取的混色
D、矿物质合成色
27、铁线描具有线条纤细、循环往复、绵延不息的特点，代表作北齐杨子华《北齐校书图》、唐阎立本《历代帝王图》《步辇图》
28、高古游丝描又称春蚕吐丝描
29、梁楷被后人称为禅宗画家
30、梁楷《六祖撕经图》采用折芦描
31、李嵩的货郎图采用工笔重彩的方式进行表现
32、整画首尾相连，同一人物反复出现谓之“移步换景”
33、敦煌壁画多用赭石土红类颜色起稿，与西方绘画起稿方式相类似
34、敦煌壁画表现空间是以一个瞬间的单一视点为依据
35、除了《骷髅幻戏图》很少有中国画作品会如此写实地描绘骷髅形象
36、潘天寿也作指墨画
37、亦称韭菜描
38、石恪《二祖调心图》采用
39、细笔描法有高古游丝、琴弦描、 、战笔描、铁线描、曹衣描等
40、《清明上河图》作者
41、粗笔描有混描、 、枣核描、折芦描、竹叶描等
42、《道子墨宝》所用白描描法
43、主要采用蚂蝗描这一绘画手法
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